Consider the song of the cicada

This is a long poem in 14 movements. Every year in southern France, the cicadas start singing at the start of summer, when the temperature reaches around 30 degrees, and lasts throughout the summer until the temperature starts to drop again – from sometime in June until sometime in September. At first it is a gentle sound heralding the warmth of summer but as the heat gets more and more oppressive, the relentless of the chirping of these insects seems to become less friendly. My point of reference was the short story of Gabriel Garcia Marquez, ‘Monologue of Isabel Watching It Rain in Macondo’, in which the initial welcoming of the rain turns to weariness and near madness at its relentlessness.  Each movement of the poem is in a different style – free verse, sonnet, film script, Socratic dialogue and each movement relates to each week of the summer. Here are a couple of its sections.

SEMAINE  27

If, as the poet said,

the moon is a ghost sun,

then surely the sea is a ghost sky,

a man is a ghost woman,

the white pebbles on the show are ghost clouds,

a darting swallow the ghost heart of a lover,

the summer-sweet song of the cicada a ghost poem.

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Fair Game

This was partly inspired by my Auntie May who used to go out into the woods beside her farmhouse in Aberdeenshire to saw the rungs in half on the ladders the deer hunters built to get them up to their hides. I was also thinking of images of watchtowers and of the prototype walls erected in the Californian desert by contractors vying for contracts to build Trump’s Mexican wall.

Dank autumn nights

she silently stood

a hawk with a handsaw

deep in the woods

She saw Jacob’s Ladders

to the kingdom to come

angel of mercy

ascending the rungs

Thirteen steps up

is the measure of man

fire in her eyes

blade in her hand

She cut through the bars

leaving just enough give

at the hint of a foothold

to snap like a twig

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Ouistreham, Normandy

We sit with moules frites in the cafe.

Outside young men crouch at the perimeters.

As each truck slows, they rush forward

and throw themselves at the tailgate,

clinging on like mussels

until the police prise them off

and toss them back into the road.

And so they retreat to the edges

to wait for the next one.

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Liszt Poem

Because every poet has a list poem, or if not, a Liszt poem

Pensées poétiques

Hymne de la nuit

Heroide funèbre

Litanies de Marie

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Aung Sang hero

Written in response to Aung Sang Suu Kyi’s refusal to halt, speak out against or even admit to the slaughter of Rohingya Muslims by Buddhist private armies and Burmese soldiers.

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Trailer (for Marvash Sabet)

Mahvash Sabet, an Iranian poet and teacher, was imprisoned 10 years ago for ‘conspiracy against the state’.  PEN, the organisation which campaigns against the imprisonment of writers, has been organising messages of support for her and her family and been petitioning the Iranian authorities for her release.  She has now been released.

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Triolet to Villanelle

This came from a workshop with Alicia (AE) Stallings on the triolet.  The triolet is a fixed verse form of an 8-line stanza where lines 1, 3, 4, 5 & 7 rhyme and another rhyme for lines 2, 6 & 8.  An additional constraint is that the first couplet is repeated at the end and the first line of that couplet is repeated as line 4.  Alicia encouraged us to stick rigorously to the form but to play with it by using enjambment and punctuation to change meaning in the repeated lines.  We also looked at another fixed verse form, the villanelle – hence my ode to the villanelle in triolet form.

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Aylton Church, Herefordshire

I visited this village church during the Ledbury Poetry Festival. Tiny and crammed full of stuff, more like a shed than a church.  I left this poem in the font.

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